Photos from Tilt World Sandbox

As I’ve mentioned in previous posts, a Sandbox is something Norah uses in her Research Studio class that allows room for change and brainstorming of a group. In the following photos by Dan Shellenbarger (thank you!!) he documented some experiments in my sandbox in February. This project, titled “Tilt World” is an exploration of how an embodied mover informs physical painting in VR using Google’s Tilt Brush while an audience creates an outside environment using found objects.

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Photos and Drawing by Dan Shellenbarger (you’re awesome!)

Split wide open

With my perceptions split wide open (with the floodgates of information that is downloading into my brain) including Queer Theory, Gender Theory, Philosophers Husserl, Butler, Foucault, Kristeva, all bodies and their labels, “The Explicit Body,” Daphne Brooks’ “Bodies in Dissent,” Drew Leder’s “The Absent Body,” readings on the complicated reality of empathy, perception and archive (and that’s just a few, mostly from my Performing Bodies Theory course lead by Dr. Nadine George-Graves), I am wondering where my ideas begin and if I even have any. Everything has been done. Things I don’t want to do, things I wish I thought of and things that I don’t even understand. It’s been done. I’ve heard this before, but now with my brain so full, it feels overflowingly evident.

This past week I taught my first full improvisation class and was evaluated by the chair of the dance department. I spoke and some of my thoughts landed in my discussion/theory course and I lead my “sandbox” which is part of my Interdisciplinary Research Studio class. Teaching, leading and talking out of my mouth (as opposed to my body)…higher stakes, yes…and done. I say higher stakes, but I’m not in the real world with these stakes. I’m in a safe little bubble where there are quite a few people that care about movement, embodiment, and dance in the way I do. It is also quite obvious they care about teaching and are very knowledgable in this field.

However, I do question the nervousness I feel when presenting in this environment. I have presented during two open works-in-progress showings this year and both have been in the middle of experiments with unknown destinations and/or purpose.

“Self-doubt can be an ally. This is because it serves as an indicator of aspiration. It reflects love, love of something we dream of doing, and desire, desire to do it. If you find yourself asking yourself (and your friends), “Am I really a writer? Am I really an artist?” chances are you are. The counterfeit innovator is wildly self-confident. The real one is scared to death.” Stephen Pressfield, The War of Art

I’m going to try to hold strong to the idea that right now is about experiments and possibly failed ones. It’s about my education, my self-exploration and not about what others think of me. Self-doubt is my ally.