Laban meets creative process

IMG_20181001_135632I went into the studio on Monday with a stack of newspapers, a highlighter and my computer with a article of Susan Kozel discussing the possibility of doing a phenomenology on affect. I had an image in my head of drawing a simple house on pages of newspaper and crumbling them up and throwing them away. I couldn’t and still can’t figure out if or how that fits into my laban movement phrase but when I presented my further investigation to my MFA Choreography Workshop, they found a seriousness, a darkness and a political content within the new laban inspired phrase. I found this interesting because I envisioned drawing that picture of a house on the politics section of the paper. In the studio, I adhered to the rules stated in the previous post. I noticed I was seemingly most interested in leading/initiated movement with a particular body part and primary weight in a place that is not your feet.

IMG_20181008_194747In Choreography Workshop it is currently an open forum for anyone to give suggestions or choreographic thoughts in an attempt to remove the preciousness of something created and find other creative avenues. I performed the movement the first time among Dave Covey’s paintings on canvas scattered around the floor. Dave is the facilitator of Choreography Workshop and he has created paintings inspired by our workshop together among others. For the second showing of my phrase, Dave selected a soundtrack of the women who confronted Senator Flake in the elevator to play during my movement and another student suggested I confine the phrase to a specific part of the stage surrounded by his paintings.

I’m noticing the state of the country, our president, Kavanaugh/Ford, the “Me Too” movement, the fact that California has to make a law to require women on the boards of publicly traded companies, etc. etc. etc. is increasingly effecting me. Perhaps this movement does have something to do with the current political climate. Perhaps my affect has something to do with the effect?

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Susan Kozel, affect & phenomenology

IMG_20181008_223651 Susan Kozel spoke in ACCAD’s Motion Lab at OSU last week and she packed her hour presentation with current works. “Performing Encryption” which involved converting and encrypting movement into data, then creating movement to encrypt and decrypt the encryption. She also spoke about her project “Living Archives” which works with archiving movement and performing memory. This project lead her to working with Margret Sara Gudjonsdottir who is a choreographer who works primarily in states. Gudjonsdottir and Kozel and another collaborator, Jeannette Ginslov, are working on a project called Conspiracy Archives, involving archiving Gudjonsdottir’s choreography of somatic resonance and states. When glancing, it seems almost as if they are doing nothing or only moving very slowly, but they have spent hours to arrive in these particular states. They are not necessarily an emotion, but they could involve them I believe. So, basically I’m not sure what exactly they are, but it is very interesting to me. Moving slowly in these states creates certain affects between audience and performer and even between the performer an their surroundings, “if you allow it,” Kozel says. Susan Kozel is a phenomenologist that is most recently interested in the phenomenology of affect.

These words of affect and phenomenology were thrown around a lot in this presentation and I feel like they are such ephemeral words for me right now. One minute I completely understand the words and why they are being used and the next minute I’ve lost it. How can you study something that is happening right now? How can you think about doing the thing if your too busy thinking about doing it? Perhaps you can only study the thing if you are on the outside? Max Van Manen writes, “Phenomenology is the philosophical name for the method of investigating or inquiring into the meanings of our experiences as we live them.” I’m still a little confused about what is actually being investigated. It also seems that if your investigating it in the moment, by the time you investigate the moment it has past and so you are not actually living in it but you are investigating the past experience. This is the part that confuses me. The aspect of time.

Manen also lead me to this great video, “16: Moments” directed by William Hoffman. I’ve seen it before but in this context I believe Manen is alluding that any of these moments could be investigated phenomenologically: https://www.youtube.com/watch?v=jNVPalNZD_I

When looking into affect I found “Emerging Perspectives on Judgement and Decision Research” to have a great first sentence to Chapter 10, which basically says, no one knows. But it was written in 2008, so perhaps phenomenologists know a little more 10 years later.

“Although researchers in the field of emotion have not yet agreed on a precise definition of affect, we use a specific definition throughout this chapter. We see affect as “goodness” or “badness” (1) experienced as a feeling state (with or without consciousness) and (2) demarcating a positive or negative quality of a specific stimulus.”

“We distinguish affect from emotion, which generally refers to particular states (such as anger, fear, or happiness) that are “intense, short-lived, and usually have a definite cause and clear cognitive content” (Schneider, 328). We also distinguish affect from mood, which generally refers to a feeling (such as having the blues) that is low in intensity, can last for a few minutes or several weeks, has no object or has fleeting objects, and does not have to have a specific antecedent cause or cognitive content.”

“Unlike emotion, we view affect as having the capacity to be subtle and to be without elaborate appraisal properties; unlike mood, we view affect as having a direct (rather than indirect) motivational effect. Similar to mood and emotion, however, affect can vary along both valence (positive, negative) and arousal (high, low) dimensions. ” (Schneider, 328)

For their purposes, Schneider and Shanteau are most interested in the “potentially subtle feelings triggered by the object of judgement or choice and not on the influence of specific emotions or background mood state on the judgement or choice. (Schneider, 328)

Again, I still feel like affect is either so specific a thing it is hard to define or is so simple an idea I’m making it out to be something bigger than it is. But if the latter is true, I can’t see people writing chapters about it.

That is where I am right now. As Christina Providence, my current pilates/gestalt guru would say, “Be where you are.”

Update: Norah the amazing also wrote about Susan Kozel here!

References: <– practicing my Chicago Manual of Style!

Schneider, Sandra L. and James Shanteau. 2003. Emerging Perspectives on Judgement and Decision Research. United Kingdom: Cambridge University Press.

Manen, Max Van. “What is phenomenology”.  Online Powerpoint, http://www.maxvanmanen.com/files/2014/03/What-is-phenomenology.pdf

Laban Movement Phrase

Today we created a movement phrase based on the following parameters:

  1. Leading/Initiated movement with a particular body part
  2. Primary weight in a place that is not your feet
  3. Sliding with weight
  4. Sliding without weight

The phrase I created was task based and ended up being really interesting. I might have done these movements without these tasks, but what was most interesting was the intention and focus required to make sure the movement was most about sliding without weight or initiating with the elbow.

 

Aboutness

The “aboutness” is important right now. What is your experience about? What is your research about? What about you is unique, similiar or contrary? What are you about?

I’m currently about discovery. It’s difficult to look at yourself. Display yourself. Find yourself the article of your attention, but that is what they are asking us to do right now. What do you want. What is your want most about. What is the aboutness of your wants. Don’t commit to things you should do. Only do your wants. You be you. I like to proscribe to this but you do sometimes have to do things you don’t want to do.

Update: Aboutness is defined in the Oxford Living Dictionary as “The quality or fact of relating to or being about something.” I thought it was a made up word. I was convinced that if you just add “ness” to the end of word, it meant you were in grad school. Coolness.

Stating your Research

Research Statements are no joke. So hard. How do you whittle down your interests into one specific thing that is the essence of your interests. What are my interests? That has been the point of the last two weeks here. I’m interested in everything I’m doing right now. I feel as though I have been in a vacuum and someone just let me out and I have entered a world where everything is slightly different with smells and feelings that I remember but it all looks different. I am so grateful of my new back to school lenses.

Lenses are so interesting. Rose colored glasses. I might be most interested in red colored glasses. Getting back on track, the minute you look at something from a different lens it is all different. There are academic lenses, marketing lenses, and research lenses. I knew this before, but somehow my current lens makes everything seem so important and interesting. I’m sure there are more lenses but I think I’ve said lenses enough in this paragraph.

Let’s just take a moment to appreciate Felecia Marshall’s beautiful painting I borrowed here titled “Rose Colored Glasses.” Click here to buy it.

Dr. Kosstrin’s Honest Bodies

9780199396931This summer we were tasked with reading “Honest Bodies: Revolutionary Modernism in the Dances of Anna Sokolow” and I was very excited to then sign up for a class with the author. How fun is it to take a course from the person who literally wrote the book on it! I am currently in Dr. Kosstrin’s Laban class and although this book is not required for that course it is wonderful to see two sides of someone you have just met. Below you can read my summary of her book for Graduate Seminar. There are so many grad words in there! 😉

Continue reading “Dr. Kosstrin’s Honest Bodies”