Laban meets creative process

IMG_20181001_135632I went into the studio on Monday with a stack of newspapers, a highlighter and my computer with a article of Susan Kozel discussing the possibility of doing a phenomenology on affect. I had an image in my head of drawing a simple house on pages of newspaper and crumbling them up and throwing them away. I couldn’t and still can’t figure out if or how that fits into my laban movement phrase but when I presented my further investigation to my MFA Choreography Workshop, they found a seriousness, a darkness and a political content within the new laban inspired phrase. I found this interesting because I envisioned drawing that picture of a house on the politics section of the paper. In the studio, I adhered to the rules stated in the previous post. I noticed I was seemingly most interested in leading/initiated movement with a particular body part and primary weight in a place that is not your feet.

IMG_20181008_194747In Choreography Workshop it is currently an open forum for anyone to give suggestions or choreographic thoughts in an attempt to remove the preciousness of something created and find other creative avenues. I performed the movement the first time among Dave Covey’s paintings on canvas scattered around the floor. Dave is the facilitator of Choreography Workshop and he has created paintings inspired by our workshop together among others. For the second showing of my phrase, Dave selected a soundtrack of the women who confronted Senator Flake in the elevator to play during my movement and another student suggested I confine the phrase to a specific part of the stage surrounded by his paintings.

I’m noticing the state of the country, our president, Kavanaugh/Ford, the “Me Too” movement, the fact that California has to make a law to require women on the boards of publicly traded companies, etc. etc. etc. is increasingly effecting me. Perhaps this movement does have something to do with the current political climate. Perhaps my affect has something to do with the effect?

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Your Awesome!

awesome-human-awardOne of the team building exercises we have done in the first few weeks of my MFA at OSU is called “Your awesome!” I think it’s a great way to open the space with positivity and help everyone feel, well, awesome actually. Norah said it came from a theater exercise.

 You stand in a circle and jump up and down and one at a time yell out 3 things you learned. It doesn’t have to be the most insightful thing. It could be that you saw plants in the space. You label each thing as 1-3 and everyone repeats the number back to you, loudly. Then you say your thing, like “Plants!” and everyone yells, “Your Awesome!”

It was awesome to take a minute to recognize everyone’s feelings of displacement of self in location, field and humanness* and break the ice. The exercise made me feel grounded in a safe space for creating.

This would be great for any age group. We all could use a little more recognition that we are awesome. YOUR AWESOME!

*Grad Word

Dr. Kosstrin’s Honest Bodies

9780199396931This summer we were tasked with reading “Honest Bodies: Revolutionary Modernism in the Dances of Anna Sokolow” and I was very excited to then sign up for a class with the author. How fun is it to take a course from the person who literally wrote the book on it! I am currently in Dr. Kosstrin’s Laban class and although this book is not required for that course it is wonderful to see two sides of someone you have just met. Below you can read my summary of her book for Graduate Seminar. There are so many grad words in there! 😉

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